​Andra Velis Simon

I consider myself a storyteller first and foremost.  In terms of musical theatre, my philosophy is that acting and singing are the same:  the same body, the same voice, the same techniques.  And the music is an equal part of the text, with as much information as the libretto.  My method of teaching, directing, and music directing is to help performers tie their acting and vocal choices together, making them one and the same.   ​​

​

It follows that I see a large overlap in music directing and directing.  My work as a music director has always included elements of direction in terms of storytelling.  As that has evolved over the years, I have begun to officially co-direct some of the pieces that I am music directing.   

​

I have been fortunate to work in theatrical styles ranging from children's theatre to murder musicals, neo-classical musicals to punk rock, and chamber opera to post-apocalyptic plays.   ​​

 

One area of special interest is actor-musician plays and musicals.  My work in this area has been recognized across the country.  These productions have ranged from Romantic period music and operettas to country-western inspired pieces and contemporary rock.  ​

​​

I believe in adapting around the talent.  My vocal, harmonic and instrumental arrangements can be built entirely around the performers' strengths.  This includes creating vocal arrangements that recognize trans singers and GNC performers. 

​​​​​​

Diversity, equity, inclusion, access, and belonging are of paramount importance.  If we work together on a project, I will insist upon identity-conscious casting and integrated hiring across the team and in the pit.  I am committed to working with companies that are moving proactively towards the changes needed in our field, and creating spaces were artists can learn and work in a collaborative environment.